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America’s Top Tourist Desires Revealed: The Most Googled Attractions in Each State

By
Dimple Arora
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0

New data has shed light on the most desired tourist attractions for residents in each state of the United States, according to Google searches. The research, conducted by Places To Travel, analyzed Google search data for over 100 tourist attractions in the US to identify the most Googled attraction in each state.

Nature spots emerged as the most sought-after type of tourist destination, with 20 states prioritizing nature spots in their searches. Niagara Falls, in particular, captured the interest of four states: Vermont, Wisconsin, Ohio, and Pennsylvania.

Historical and cultural landmarks also proved popular, with nine states expressing greater interest in such sites. These landmarks included Graceland, the Las Vegas Strip, Mount Rushmore, the Hoover Dam, and the Space Needle in Seattle.

Amusement parks and attractions attracted the attention of nine states, with Universal Orlando Studios being the top choice in four states: Florida, Louisiana, Massachusetts, and Texas.

Additionally, seven states favored beach destinations, with Myrtle Beach being the most popular among them, including North Carolina, South Carolina, Virginia, and West Virginia.

Museums, galleries, and zoos collectively interested seven states, with Manhattan’s Museum of Modern Art (MoMA) topping the list for Connecticut and New York residents, while the Georgia Aquarium was a top choice for residents of Alabama and Georgia.

Overall, the findings underscore the diverse and vibrant tourist attractions available throughout the United States, with many residents expressing interest in exploring local and nearby destinations for their vacations.

Kasuti – Where Needles Runs on Cloth and Creates Art

By
Dimple Arora
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0

Priyanshi Pareek reports on the Kasuti emnroidery..

Kasuti embroidery is a needle and thread artform from Karnataka which is performed on a cotton cloth.

Kasuti embroidery, from northern Karnataka, is one of the region’s most popular artforms and is linked entirely to the villages in the area. 

A geographical indicator from the government of India is used to safeguard the craftsmen here, ensuring any profit from the sale of this sticker returns to them. 

Origin

Kasuti embroidery is one of the oldest Indian practices. It dates back to the Chalukya period. The name Kasuti is derived from the words Kai meaning hand and Suti meaning wrap/weave, indicating an activity that is done using cotton and hands.

Although it was first only done in the Dharwad region, over time, it has expanded into other parts of Karnataka and is now used throughout South India. Initially, this job was done only by women, and to date, women form a vital element of the cottage industry of Kasuti. 

Work

The Kasuti embroidery features folk designs influenced by rangoli patterns of Karnataka. Kasuti work involves embroidering very intricate patterns like chariot, palanquin, motifs of gopurams of temples, lamps and conch shells. 

At first, the stitchers need to draw the pattern with charcoal or pencil which is to be embroidered and then needles of proper size and thread of requisite thickness are selected. Types of stitches are Ganti (double running stitch used for marking vertical, horizontal and diagonal lines), Murgi (zig-zag stitch), Neyge (running stitch), Menthe (cross stitch resembling fenugreek seeds).

The cradle, anklet-bells, palanquins and other articles of everyday use are artistically depicted. Some religious motifs are the Gopurams of temples, the chariot and palanquin in which the deity is carried on ceremonial occasions, the lotus, the tulsi patti which is the enclosure for the sacred tulsi plant.

The material on which the embroidery is executed is a hand-woven cloth of dark colour, usually black.

Madhya Pradesh’s Tribal Tapestry: Guardians of Cultural Heritage

By
Simran Saini
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Madhya Pradesh, often described as the “Heart of India,” boasts a unique blend of rich cultural diversity, historical significance, and awe-inspiring natural landscapes. Nestled at the core of the Indian subcontinent, this state is not only renowned for its historical monuments and natural beauty but is also home to an array of indigenous tribes. These tribes have played an instrumental role in shaping the state’s cultural mosaic. In this article, we embark on a journey to explore some of the prominent tribes of Madhya Pradesh, delving into their cultural heritage, traditions, and the indelible mark they’ve left on the state’s diverse culture.

 Gond Tribe

The Gond tribe, one of the largest and most prominent indigenous communities in Madhya Pradesh, is celebrated for its distinctive art forms, particularly the internationally acclaimed Gond painting. The Gonds predominantly reside in the central and eastern regions of the state, including districts such as Mandla, Balaghat, and Seoni. Their artistic expressions often revolve around nature, animals, and mythological narratives, vividly reflecting their deep connection with the environment.

Baiga Tribe

The Baiga tribe is another significant indigenous group primarily located in the eastern and central parts of Madhya Pradesh, notably in districts like Dindori and Mandla. This community has a profound affinity for forests and boasts extensive knowledge of herbal medicines. The Baigas’ traditional way of life revolves around agriculture, hunting, and gathering, emphasizing their harmonious coexistence with nature.

Bhil Tribe

The Bhil tribe, one of India’s widely dispersed tribal communities, holds a significant presence in Madhya Pradesh. They are particularly concentrated in districts such as Jhabua, Alirajpur, and Dhar. Known for their vibrant dance forms, including the Bhagoria and Tertali dances, the Bhils’ cultural celebrations are a testament to their unique traditions and lively spirit.

 Sahariya Tribe

The Sahariya tribe primarily inhabits the Chambal region of Madhya Pradesh and has historically been recognized for their exceptional hunting and gathering skills. Over the years, efforts have been made to uplift and empower this marginalized community through educational and skill development initiatives, aiming to preserve their cultural heritage while improving their quality of life.

 Korku Tribe

The Korku tribe primarily resides in the hilly and forested regions of Madhya Pradesh, including districts such as Khandwa, Burhanpur, and Khargone. This community possesses a distinctive language and is renowned for their traditional farming practices. The Korkus’ profound connection to nature is reflected in their customs and festivals, which are intricately tied to agriculture and the environment.

 Bharia Tribe

The Bharia tribe predominantly calls the districts of Shahdol and Umaria in eastern Madhya Pradesh their home. They boast a unique language and a rich cultural heritage that encompasses traditional music, dance, and rituals. Agriculture and forest-based livelihoods are at the core of their way of life, underscoring their deep-rooted connection with their natural surroundings.

 Kol Tribe

The Kol tribe inhabits various regions of Madhya Pradesh, with a prominent presence in the eastern and central areas. They are renowned for their unique customs, including a distinct style of tattooing that holds significant cultural value. Agriculture and forest-related activities remain central to the Kol people’s way of life, reinforcing their close bond with nature.

Madhya Pradesh’s tribal communities are integral to the state’s cultural fabric, enriching it with their distinctive traditions, art forms, and sustainable lifestyles. These indigenous tribes have preserved their cultural heritage across generations, despite facing numerous challenges in the modern world. Government and non-governmental organizations are actively working to safeguard their rights, improve their living conditions, and promote their cultural treasures.

As we celebrate Madhya Pradesh’s diversity, it is imperative to acknowledge the invaluable contributions of these tribes to the state’s cultural and social landscape. They are not only the guardians of their own heritage but also an integral part of India’s broader cultural tapestry. Preserving their customs and way of life not only holds cultural significance but also serves as a testament to Madhya Pradesh’s commitment to inclusivity and the celebration of its rich cultural heritage.

List of UNESCO World Heritage Sites in India

By
Dimple Arora
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0

The United Nations Educational, Scientific and Cultural Organization (UNESCO) plays a vital role in preserving and promoting the world’s cultural and natural heritage. Through the UNESCO World Heritage Convention established in 1972, countries around the globe nominate sites of exceptional value to be recognized as World Heritage Sites. India, a signatory to this convention since 1977, has embraced this initiative wholeheartedly. As of 2023, India boasts an impressive collection of 42 UNESCO World Heritage Sites, showcasing the nation’s diverse cultural and natural treasures.

Cultural Heritage in India

India’s cultural heritage is a testament to its rich history and artistic achievements. The UNESCO World Heritage Sites in India encompass a wide range of cultural wonders, including monuments, groups of buildings, and archaeological sites. These sites are recognized for their exceptional historical, architectural, and cultural significance.

The first batch of UNESCO World Heritage Sites in India, inscribed in 1983, included the iconic Ajanta Caves, Ellora Caves, Agra Fort, and the world-renowned Taj Mahal. These sites reflect the architectural marvels and artistic prowess of ancient India, drawing visitors from all corners of the globe.

Over the years, India has continued to add to its list of cultural heritage sites. As of 2023, there are 32 cultural World Heritage Sites in India, each narrating a unique story of the country’s past and present.

Natural Heritage in India

In addition to its cultural treasures, India is blessed with breathtaking natural beauty and ecological diversity. UNESCO recognizes natural heritage sites as areas of significance for their physical and biological formations, geological features, and conservation efforts.

Among India’s natural World Heritage Sites, seven exemplify the nation’s commitment to preserving its ecological wealth. These sites include national parks, wildlife sanctuaries, and geological formations that offer a glimpse into India’s stunning landscapes and biodiversity. One such site, the Khangchendzonga National Park, is of mixed type, combining both cultural and natural elements.

Challenges and Preservation Efforts

India’s UNESCO World Heritage Sites are not without their challenges. Some have faced threats to their integrity, leading to their inclusion on the list of endangered sites. For instance, the Manas Wildlife Sanctuary was listed as endangered between 1992 and 2011 due to poaching and activities of the Bodo militias. The monuments at Hampi faced risks from increased traffic and new constructions in their surroundings, leading to their inclusion on the endangered list between 1999 and 2006.

Transnational Heritage

One notable feature of India’s UNESCO World Heritage Sites is the Architectural Work of Le Corbusier. This site is transnational, shared with six other countries. It underscores the global recognition of Le Corbusier’s architectural contributions and India’s commitment to preserving his legacy.

Tentative List

India’s dedication to preserving its cultural and natural heritage extends beyond its current list of World Heritage Sites. The nation has 50 sites on its tentative list, waiting for their turn to be recognized by UNESCO. These sites represent the country’s ongoing efforts to protect and promote its exceptional heritage.

UNESCO Criteria

UNESCO evaluates and lists World Heritage Sites based on ten criteria. These criteria encompass cultural and natural elements, with each site required to meet at least one of them. Criteria i through vi pertain to cultural heritage, while vii through x relate to natural heritage.

India’s collection of UNESCO World Heritage Sites is a testament to its rich cultural and natural diversity. These sites not only serve as a source of national pride but also attract tourists from around the world, contributing to the country’s cultural exchange and economic growth. India’s commitment to preserving and promoting these treasures ensures that they will continue to inspire and educate generations to come. As we look to the future, India’s tentative list hints at even more treasures waiting to be uncovered and shared with the world.

Chamba Rumal: A cultural and traditional gift for the weddings

By
Dimple Arora
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0

Nestled amidst the pristine beauty of the Himalayan foothills, the Chamba Valley in Himachal Pradesh has been the cradle of a unique form of artistic expression known as Chamba Rumal. This exquisite embroidered handicraft, once promoted under the patronage of the former rulers of the Chamba kingdom, has a rich history, vibrant colors, and intricate designs that have captivated art enthusiasts for centuries. In this article, we explore the fascinating world of Chamba Rumal, from its historical origins to its modern-day revival.

 The Legacy of Chamba Rumal

Chamba Rumal, also known as Chamba handkerchief, is a cultural treasure that has been lovingly passed down through generations. These finely crafted textiles have been a common item of gift-giving during weddings, adorned with detailed patterns in bright and pleasing color schemes. This tradition has deep roots in the region’s history and culture.

 Geographical Indication Protection

The significance of Chamba Rumal is further underscored by its protection under the Geographical Indication of the Trade-Related Intellectual Property Rights (TRIPS) agreement. On 22 January 2007, it was officially recognized and listed as “Chamba Rumal” under the GI Act 1999 of the Government of India. This recognition solidified its status as a unique and culturally significant art form.

Historical Roots

The origins of Chamba Rumal can be traced back to the 16th century, with one of the earliest reported examples created by Bebe Nanaki, the sister of Guru Nanak. This historic piece is now preserved in the Gurudwara at Hoshiarpur. The Victoria and Albert Museum in London also houses a Rumal gifted to the British in 1883 by Raja Gopal Singh, featuring an embroidered scene from the epic Mahabharata’s Kurukshetra War.

In the 17th century, the women of the princely state of Chamba, now part of Himachal Pradesh, began practicing the art of embroidering Rumals. These textiles were often presented as part of marriage gifts or dowries. Using fine hand-made silk from Punjab or muslin cloth from Bengal, they created highly ornamental patterns.

The Artistic Technique

Central to the creation of Chamba Rumal is the unique embroidery technique known as the “dohara tanka” or double satin stitch. This technique results in identical patterns on both faces of the fabric, creating a captivating visual effect. Chamba Rumal artists drew inspiration from various sources, including the Mughal art of Chamba miniature paintings, themes from mythology like the Mahabharata and Ramayana, and even events from ancient scriptures.

The Decline and Revival

With the downfall of the Mughal empire and the advent of commercialization, the quality of Chamba Rumal deteriorated. It began to be produced in various cheaper varieties, including tablecloths, cushion covers, and machine-made items. However, in the late 1970s, there was a renewed effort to revive this fading art form. Under the initiative of Usha Bhagat, original designs were located in museums and collections, and women artists were trained to recreate them. Sixteen designs were successfully recreated, and the quality of Chamba Rumal was restored.

 The Presidential Honor

One of the notable figures in the revival of Chamba Rumal is Lalita Vakil, who received the prestigious Nari Shakti Puraskar award for her dedicated work in organizing courses and preserving this art form. The award was presented in the Presidential Palace by the President of India, recognizing the immense cultural value of Chamba Rumal.

 The Modern Interpretation

Today, Chamba Rumal continues to thrive as a cherished form of hand embroidery. It has evolved into square and rectangular shapes, with materials including muslin, malmal, khaddar, fine charcoal or brush, and silk threads without knots. The double satin stitch embroidery ensures uniformity of design on both faces of the fabric, making Chamba Rumal truly exceptional.

 The Living Tradition

Chamba Rumal is not merely a textile; it’s a story of tradition, artistry, and cultural heritage. With its vibrant colors, intricate designs, and deep-rooted history, it stands as a testament to the creativity and craftsmanship of the people of the Chamba Valley. This “Painting in Embroidery” continues to be a source of pride and a symbol of the enduring cultural legacy of Himachal Pradesh.

In every stitch of Chamba Rumal, there lies a piece of history, a touch of mythology, and a world of artistic brilliance, making it a timeless treasure of Indian craftsmanship.

Rajasthan: This new heritage train will stop at passengers’ call promising beautiful views of hills and waterfalls!

By
EBNW Story
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0

PM Narendra Modi on Thursday flagged off Rajasthan’s first heritage train, which will also stop on the whistle of passengers. This train will show the most unique views like Goram Ghat, which is called Chhota Kashmir of Rajasthan and Jog Mandi Waterfall of Goram Ghat, which falls from the highest place. It will pass between two curved tunnels.

The train has been given a heritage look like a 150 year old steam engine. This train will run only 4 days a week and the fare will be Rs 2000 per passenger. The train will pass through the Aravalli hills

Pali district has got the gift of a train running on the only meter gauge track in the state. Starting from Marwar Junction, it will reach Kamlighat (Devgarh, Rajsamand) via Goramghat, Fulad. Aravalli hills, big mountains and greenery will be seen on this route. Apart from this, the train will also pass through a tunnel.

Heritage train cost: Rs 2000 per passenger

For an exciting journey of 9 hours in the train, a ticket will cost Rs 2,000 per person. The train will operate normally four days a week. Tourist groups will be able to book it for two days. It will be operated on receipt of booking for groups of more than 10 people. The group fare has not been decided yet.

The train will leave Marwar Junction at 8.30 am and reach Kamli Ghat at 11 am via Fulad, Goramghat. After a stoppage of three and a half hours at Kamli Ghat, it will leave at 2.30 pm, which will reach Marwar Junction at 5.30 pm. Food will be provided at Railway Kamli Ghat, but passengers will have to pay separate charges for this.

Goram Ghat will also be on the train’s route. Goramghat, which is included in the most exciting tourist place of Rajasthan, is also called Chhota Kashmir. It is a beautiful hill station situated in the Aravali valleys on the border of Rajsamand district and Pali. Here the train passes through the mountains.

Bhil Beri waterfall, which falls from the highest height in Rajasthan, also fall on the journey to this ghat. This waterfall looks like Dudh Sagar Waterfall located on the border of Karnataka and Goa states.

Heritage train given engine with steam engine kind look

To attract tourists, the train has been given a heritage look. The engine of the train has been designed like a 150 year old steam engine, but it will run on diesel only.

To give a Rajasthani look to the heritage train, Rajasthani paintings will be seen on its coaches. For this, elephant-horse palanquin has been made. The train also has a 60-seat Vistadome coach which is currently seen in Vande Bharat trains.

That means the seats will be able to rotate 360% and the spectators sitting on them will be able to capture the view outside the train in their mobile cameras. There will be a separate staff coach in the train.

Heritage train seats: 60 passengers can sit at a time

60 passengers will be able to sit in the train at a time. The coach has large windows on all three sides to view the outside. The coach will be completely AC. Meanwhile, the train will also pass through Goramghat tunnel.

The special thing will be that during the journey of 100 kilometers, the tourist boarding the train will be able to stop the train anywhere as per his wish. Tourists will be given about 15 to 20 minutes time to stop the train at the selfie point. Tourists will be able to take selfies at this time.

Heritage train: watch out two tunnels with scenery

Once the train journey starts, there will be two curved tunnels in the middle which will increase the thrill of the passengers. These tunnels are 23.13 meters long. Apart from this, there are a total of 13 level crossings (railway crossings).

Apart from the tunnel, it will also go round and round through 13 winding places. This train will cover the 25 KM journey from Kamli Ghat to Fulad along with many scenic spots of nature and picturesque views of the Ghat.

Enjoy snacks in pantry 

This coach, which looks like a rail bus, will also have a small pantry. In this, passengers will be able to order lunch along with tea and breakfast. Separate money will have to be paid for this. What will be in the menu and what will be the prices will be known only after the operation of the train

For the passengers going to Mavli, the meter gauge train already running will operate as usual. Train No. 09695, Marwar-Mavli train departs from Marwar Junction at 12.15 pm.

Steam engine ran for the first time in 1934

About steam engine

The special thing is that on this track a steam engine train was operated for the first time in 1934, after that meter gauge rail is being operated. For many years, a demand was raised to convert this railway track into a broad gauge line.

But due to the valley area and rotation up to 16 degrees, this change could not happen. Now, taking a new initiative, Railways will start operating heritage trains to keep the 89 year old track alive.

Birla Institute of Management Technology celebrates 36th Foundation Day

By
EBNW Story
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Birla Institute of Management Technology (BIMTECH) celebrated its 36th Foundation Day on October 2nd, coinciding with the 154th Gandhi Jayanti. The celebration underscores the institute’s unwavering commitment to instilling the culture and values of social welfare in its students. The three-day celebration, commencing on September 30th and continuing through October 1st, featured performances by the National School of Drama Repertory group with drama “Maaee Ree Main Kaa Se Kahun”, directed by Ajay Kumar, and the Asmita Theatre Group from New Delhi with drama “Andha Yug,” directed by Shri Arvind Gaur.

The Foundation Day function on October 2 began with the lighting of the ceremonial lamp, followed by the welcoming of guests. During the event, the institution paid homage to Mahatma Gandhi by playing his favorite bhajan, ‘Vaishnav Jan To Tene Kahiye’.

Anshu Gupta, founder of Goonj, graced the occasion as the Chief Guest. 

He said, “Thank you very much to BIMTECH for inviting me to their 36th Foundation Day. I come from a family of engineers—a very determined family that ensured everyone studied well. There were not many financial resources back then. I often think that being able to speak in more than one language outside the country allows me to communicate with everyone. It is a huge investment for the generation, which never thought of buying a car but invested more in the education of all of us. From a determined family with limited means to witnessing life’s complexities, I learned that challenges come in various forms. My journey through journalism and Indian mass communication unveiled hidden stories of dignity and resilience. Charity, while well-intentioned, should aim for sustainable empowerment, not dependency. We must cherish our education and uphold the dignity of every individual. Let us work together, regardless of our backgrounds, to build a nation where honesty and ambition drive progress. Subsidies are opportunities, not entitlements, and giving back enriches us all. In a world where education remains our most enduring subsidy, let’s ensure it reaches everyone.” 

Dr. Harivansh Chaturvedi, Director, BIMTECH, delivered a welcome speech in which he emphasized the remarkable development of the institute from a small basement in New Delhi to one of the top B-schools. He highlighted the institute’s tireless efforts to raise awareness about ESG in both the corporate and academic spheres.

Also, he welcomed to host Anshu Gupta, a true disciple of Gandhi who left his corporate career to embark on a transformative journey. His organization, Goonj, exemplifies Gandhi’s principles in addressing pressing global challenges, earning international recognition. It stands as a beacon of hope in the face of climate change, sustainability, and humanitarian issues.

He said, “Mahatma Gandhi’s eleven vows, including truth, nonviolence, simplicity, and duty towards humanity, remain profoundly relevant, not just in India but across the globe. BIMTECH’s choice to commence on October 2nd, Gandhi’s birthday, reflects his enduring impact. Albert Einstein once remarked, ‘Generations to come will scarcely believe that such a one as this ever in flesh and blood walked upon this earth.’ Gandhi’s influence on our world cannot be overstated.”

In keeping with its illustrious heritage of encouraging significant contributions to education, the BIMTECH administration also bestowed various honours, like the Basant Kumar Birla Distinguished Scholar Award, 2022; the Best Researcher and Teaching Excellence Award, 2022; and the felicitation of faculty and staff completing 10 years of service. 

On this occasion, the Insurance India Report, and the Annual Activity Report were also released.

The celebrations concluded with a formal vote of thanks by Dr. K. C. Arora, Registrar of BIMTECH.

World Animal Welfare Day: ‘Big or Small, We Love them All’

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EBNW Story
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Dr. Pramiti Rastogi wrote on World Animal Welfare Day..

Animal welfare refers to the physical and mental state of an animal in relation to the conditions in which it lives and dies. It is closely linked to animal health, the health and wellbeing of people, and the sustainability of socio-economic and ecological systems. 

Animal welfare is important because it ensures that animals are treated humanely and with respect. It is necessary for humans because it helps us to maintain a healthy environment, protect biodiversity, and promote sustainable development. Animal welfare also has economic benefits as it can lead to increased productivity, reduced costs, and improved product quality.

If animal welfare is not done correctly, it can have serious consequences. Poor animal welfare can lead to animal suffering, disease outbreaks, environmental degradation, and food safety issues. It can also have negative impacts on human health and wellbeing by increasing the risk of zoonotic diseases.

World Animal Welfare Day is celebrated annually on October 4th to raise awareness about improving the welfare standards of animals across the globe. The theme for World Animal Day in 2023 is ‘Big or small, we love them all’ . This day serves as a reminder of our responsibility to shield and nurture the diverse array of species that coexist on our planet. Collectively, we can work towards ending the suffering and mistreatment of animals and transform the course of the world’s treatment of them.

Animal welfare is an important issue that affects us all. It is our responsibility to ensure that animals are treated humanely and with respect. By doing so, we can protect the environment, promote sustainable development, and improve our own health and wellbeing.

Kantha Artistry: Weaving Stories and Tradition with a Needle and Thread

By
Simran Saini
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0

Art possesses a remarkable ability to transcend the boundaries of time and culture, weaving together threads of history, heritage, and creativity. Kantha, a traditional form of embroidery originating from the Indian subcontinent, serves as a testament to this phenomenon. With its roots dating back to ancient times, Kantha artwork is a living testament to the rich tapestry of tradition and storytelling. In this article, we will embark on a journey into the enchanting world of Kantha art, unraveling its origins, techniques, and the profound cultural significance it carries.

A Stitch in Time

Kantha art finds its origins in the rural heartlands of India, particularly in the states of West Bengal and Bangladesh. The very name “Kantha” is derived from the Bengali word for “throat,” a nod to the characteristic running stitch that defines this embroidery style. Historically, Kantha was born out of the necessity to transform old, worn-out fabrics into something both beautiful and functional.

What distinguishes Kantha embroidery is its simplicity and versatility. It primarily relies on the use of a running stitch to create intricate patterns, motifs, and designs on layers of fabric. These fabrics are then lovingly stitched together to craft quilts, shawls, sarees, and an array of other textiles. The beauty of Kantha lies in its imperfections and the organic, handcrafted texture it imparts to each piece.

A Tradition of Storytelling

Among the most captivating facets of Kantha art is its capacity to narrate stories. Many Kantha textiles are not mere ornamental items; they are narratives etched with care and affection. Women of yore would often create Kantha quilts, known as “Nakshi Kantha,” to immortalize personal anecdotes, family histories, and cultural legends. Passed down through generations, these quilts evolve into cherished heirlooms that embody memories and tradition.

The motifs and designs in Kantha art are brimming with symbolism. Common themes encompass depictions of nature, animals, folk tales, and religious imagery. Each stitch in a Kantha piece carries meaning, turning the art form into a visual language that conveys emotions, beliefs, and stories.

Kantha Artistry Today

While Kantha art was originally a pragmatic craft for repurposing old fabrics, it has transformed into a thriving medium of artistic expression. Modern artisans have elevated Kantha to new heights, not only crafting traditional textiles but also fashioning wearable art, home decor items, and even fine art pieces. The adaptability and versatility of Kantha embroidery have endeared it to designers and artists worldwide.

The Cultural Significance of Kantha

Kantha art isn’t merely an artistic tradition; it’s a cultural emblem. It reflects the resilience, resourcefulness, and creativity of women in the Indian subcontinent. Historically, Kantha offered women a means to connect with their cultural roots, safeguard stories, and express themselves in a society where their voices often went unheard. Today, it remains a source of empowerment for women, providing them with opportunities for economic independence and creative fulfillment.

Preserving Kantha Artwork

Despite its timeless allure, Kantha art faces challenges in the contemporary world. Mass production and evolving consumer preferences jeopardize the livelihoods of traditional Kantha artisans. Initiatives aimed at raising awareness regarding the cultural significance of Kantha, supporting artisan communities, and promoting ethical and sustainable practices in its production are vital to its preservation

Kantha artwork is a testament to the enduring power of creativity and storytelling. Emerging from the humble roots of repurposing old fabrics, it has blossomed into a vibrant and treasured tradition that bridges generations, safeguards cultural heritage, and empowers artisans. As we celebrate the beauty and significance of Kantha art, we not only appreciate its aesthetic value but also pay homage to the resilience and creativity of the women who have woven their stories into this remarkable art form. In doing so, we ensure that Kantha art continues to stitch its tales for generations to come.

Neeraj Chopra clinches another medal in Asian Games 2023, India shows best performance with 81 medals

By
EBNW Story
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India has won three gold medals on Wednesday, the 11th day of the 19th Asian Games, making it the best performance of the country.

After World and Olympic champion Neeraj Chopra, the Indian team stood first in the men’s 4×400 meter relay race. The special thing about this event was that the silver medal also came to India kitty. India’s Kishore Kumar stood second. Earlier, the Archery Mixed Team won the first gold of the day. India got the third gold in 4×400 relay men’s.

Today, apart from three gold, India has won 12 medals including five silver and 4 bronze. With these medals, India’s total medals have become 81. These include 18 gold, 31 silver and 32 bronze.

India’s all-time best performance in Asian Games

With the help of these medals, India has left behind its all-time best performance in the Asian Games. Earlier, India had won 70 medals in the last Asian games. These included 16 gold, 23 silver and 31 bronze. India has been a part of the Games since the first Asian Games in 1951. Then New Delhi itself hosted. India participated in all 18 Asian Games.

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