
Maru-Gurjara architecture also known as Solanki style is a magnificent style born in the western regions of India during the medieval period, is a stunning fusion of the Maratha and Gurjara architectural traditions. This article delves into the captivating features, historical significance, and enduring allure of Maru-Gurjara architecture, showcasing its unique contribution to the architectural heritage of India.
Historical Background:
Maru-Gurjara architecture flourished between the 6th and 12th centuries when the Gurjara-Pratihara dynasty ruled over the vast territories of present-day Rajasthan and Gujarat. During this period, the Gurjara-Pratiharas amalgamated their own distinct architectural style with influences from neighboring regions, resulting in the birth of Maru-Gurjara architecture. The style is originated in Gujarat and Rajasthan from the 11th to 13th centuries, during the reign of the Chaulukya dynasty, also known as the Solanki dynasty. Initially a regional style in Hindu temple architecture, it gained immense popularity in Jain temples and eventually spread across India and diaspora communities worldwide
While the style gradually fell out of use in Hindu temples within its original regions by the 13th century, primarily due to the Muslim Delhi Sultanate’s conquest of the area, it continued to flourish among Jain communities. In fact, there was a notable revival of the style in the 15th century. Maru-Gurjara architecture persisted in Jain and some Hindu temples, and in the 20th century, it expanded beyond India to temples built by the Hindu Swaminarayan tradition. Notable examples include the Neasden Temple in London (completed in 1995) and smaller temples constructed by the Jain diaspora, such as the Jain temple in Antwerp, Belgium (completed in 2010), and temples in Potters Bar and Leicester, England.
The name “Maru-Gurjara” was coined by art and architectural historian Madhusudan Dhaky in the 20th century. Previously, and still by many, it was referred to as the “Solanki style.” The term “Maru-Gurjara” reflects a synthesis of the Mahā-Māru style from the Marwar region of Rajasthan and the Mahā-Gurjara style from Gujarat. This change in terminology was an attempt to avoid dynastic references. However, it is worth noting that both “Maru-Gurjara” and “Māru-Gurjara” are used by different writers, and the Jain community primarily continues to refer to the style as “Solanki.”
Distinctive Features:
a. Fusion of Architectural Styles: Maru-Gurjara architecture masterfully blends elements from Hindu, Jain, and Islamic architectural traditions. This fusion creates a captivating visual harmony and sets it apart from other regional styles, highlighting the cultural diversity and artistic finesse of the era.
b. Magnificent Entrance Gates: The grandeur of Maru-Gurjara architecture is often evident in its elaborate entrance gates, known as toranas. These gateways feature intricate carvings, exquisite sculptures, and intricate motifs, reflecting the exceptional craftsmanship of the artisans of that time.
c. Ornate Pillars and Columns: Maru-Gurjara architecture showcases meticulously carved pillars and columns. These structural elements depict mythological scenes, celestial beings, and deities, while intricate patterns, foliage, and geometric designs embellish the columns, showcasing the skill and creativity of the craftsmen.
Another characteristic feature is the presence of “flying” arch-like elements between pillars that touch the horizontal beam above, purely for decorative purposes. These arches serve no structural function but add to the overall aesthetic appeal. The style also incorporates large pillared halls, many of which are open on the sides. Jain temples often include one closed hall and two pillared halls in sequence along the main axis leading to the shrine.
d. Graceful Jharokhas and Chhatris: Jharokhas, projecting balconies, and chhatris, elevated dome-shaped pavilions, are prominent features of Maru-Gurjara architecture. These architectural elements not only add elegance and grace to the structures but also provide breathtaking viewpoints for observing the surroundings.
e. Intricate Ceilings and Wall Art: The interiors of Maru-Gurjara structures are adorned with captivating ceiling and wall art. The walls come alive with frescoes, murals, and detailed paintings, showcasing vibrant colors and intricate patterns. These artistic representations depict stories from Hindu mythology and celebrate the rich cultural heritage of the region.
Exemplary Structures:
a. Dilwara Temples: The Dilwara Temples in Mount Abu, Rajasthan, serve as prime examples of the splendor of Maru-Gurjara architecture. These Jain temples boast intricate marble carvings, captivating ceilings, and exquisitely designed pillars, leaving visitors spellbound by their beauty.
b. Rani ki Vav: Located in Patan, Gujarat, Rani ki Vav is a UNESCO World Heritage site that showcases the brilliance of Maru-Gurjara architecture. This stepwell features seven levels adorned with sculptures, carvings, and intricate motifs, creating a mesmerizing visual experience.
c. Modhera Sun Temple: The Modhera Sun Temple in Gujarat is another architectural gem of the Maru-Gurjara style. It boasts intricate stone carvings, a majestic sanctum, and an enchanting sabha mandapa (assembly hall), offering visitors a glimpse into the grandeur of the past.
An Enduring Legacy:
Maru-Gurjara architecture has left an indelible mark on the architectural landscape of India, epitomizing the artistic brilliance and cultural fusion of the medieval era. Its unique blend of styles and extraordinary craftsmanship continues to inspire contemporary architects and artists, ensuring the preservation and celebration of India’s rich architectural heritage.
Maru-Gurjara architecture stands as an awe-inspiring testament to the convergence of majestic grandeur and graceful aesthetics. Its intricate carvings, majestic structures, and harmonious fusion of diverse architectural styles make it an invaluable part of India’s architectural legacy. By appreciating and safeguarding Maru-Gurjara architecture, we honor the artistic achievements of our ancestors and perpetuate the cultural heritage that defines our nation.