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10 day event of Shilpgram Utsav at Mewar starting from 21st December

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As the countdown begins for the much-awaited Shilpgram Utsav, the air in Mewar is charged with the promise of ten days filled with the melodies of folk music and the vibrant hues of diverse cultures. Organized by the West Zone Cultural Centre, Udaipur, the festival is set to kick off on December 21st in the culturally rich enclave of Shilpgram.

Preparations for this cultural extravaganza are reaching their crescendo, with folk artists from every corner of the country converging on the venue. By Tuesday evening, a majority of the participants had arrived, eager to showcase the rich tapestry of their regional arts. The sprawling Shilpgram is transforming into a microcosm of India, with around 500 artists primed to share their unique talents during the festival.

Among the diverse array of performances, dance groups like Gotipua from Odisha, Siddhi Dhamaal and Rathwa from Gujarat, Chhau from West Bengal, and Chari from Kishangarh, Rajasthan, are engrossed in passionate rehearsals on the Muktakashi stage. The festival promises a visual and auditory feast, with cultural expressions ranging from the vibrant Garba of Gujarat to the traditional Pung Cholam dance of Manipur.

The heart of Shilpgram Utsav lies not only in its performances but also in the stalls that beckon visitors to experience the craftsmanship of artisans from across the nation. Of the nearly four hundred stalls allotted, 135 artisans had set up shop by Tuesday evening, offering a sneak peek into the treasures that await attendees. Meenakari jewellery, toys, shawls, pottery, lac bangles, terracotta, embroidery items, handloom, leather, zari, Gujarati silk sarees, Rajasthan tie-dye, marble products, and an assortment of dry fruits will be among the myriad offerings.

Kiran Soni Gupta, Director of West Zone Cultural Centre, Udaipur, expressed excitement about the impending cultural celebration. As the stage is set for Shilpgram Utsav, Mewar eagerly anticipates the convergence of creativity, tradition, and the spirit of unity that will define the essence of this ten-day extravaganza.

Dispelling Rumors: Aishwarya and Abhishek Bachchan Spotted Together Amid Separation Buzz

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Priyanshi Pareek

The entire Bachchan family came out in full force to support their megastar granddaughter, Aaradhya Bachchan, at the annual day event hosted by the Dhirubhai Ambani International School in Mumbai. Aaradhya’s parents, Aishwarya Rai and Abhishek, were prominently present, cheering enthusiastically for their daughter.

Amid swirling rumours about their alleged separation and speculations of Aishwarya stepping out of the Bachchan household, the public appearance of Aishwarya and Abhishek together at the event on Friday put an emphatic end to such gossip. The couple appeared unified, enjoying the event and portraying a strong relationship.

Aishwarya’s father-in-law, Amitabh, her mother, Brindya Rai, and her nephew Agastya Nanda, were all present to cheer on Aaradhya at the event. Aishwarya looked stunning in a black velvet suit embellished with golden embroidery, while Abhishek looked dapper in a matching navy blue ensemble.

Several videos of Aishwarya and Abhishek Bachchan have gone viral on social media, including one where Abhishek is seen chivalrously escorting his mother-in-law and wife, Aishwarya, as they leave the event. In the video, Abhishek gallantly holds Aishwarya’s mother’s hand, guiding them both towards the car, showcasing his gentlemanly demeanour.

Numerous videos from the event are circulating on social media, including a heartwarming clip of Aaradhya’s performance. Dressed elegantly in dark attire, she beautifully executes her part on stage. Her parents are visibly delighted, with Aishwarya capturing her daughter’s performance on camera, beaming with pride and joy.

Body language expert Pandit Jagannath Guruji gained attention for decoding their relationship from a viral photograph.

Abhishek Bachchan and Aishwarya Rai Bachchan’s timeless bond continues to enthral Bollywood enthusiasts. Their enduring presence as a beloved couple in the industry remains unwavering despite the passage of years. Their captivating connection continues to pique intrigue and admiration. Renowned astrologer and body language expert, Pandit Jagannath Guruji, dives into their relationship and personalities through an analysis of a viral picture. His profound insights offer a glimpse into the enduring charm that keeps Abhishek and Aishwarya in the spotlight, leaving an indelible mark on their fans.

Aishwarya and Abhishek separation rumours

In recent weeks, numerous reports about brewing tensions within the Bachchan family have dominated headlines. Speculations ignited when Abhishek was spotted without his wedding ring, fueling rumors of discord.

Adding to the intrigue, Big B shared a cryptic post stating, “Everything said everything done .. so do the done and done the do.” Additionally, reports emerged claiming that the senior actor unfollowed Aishwarya Rai on Instagram.

Despite these rumors, Abhishek and Aishwarya remain one of Bollywood’s most cherished couples. They tied the knot on April 20, 2007, at Big B’s bungalow, Prateeksha, marking a celebrated milestone in their journey together.

JECRC University’ 6th Diplomacy Summit on ‘Ignite Minds, Elevate Nations’

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JECRC University organised 6th edition of JECRC Diplomacy Summit. The theme of  the event was to” Ignite minds, elevate Nations”. 300+ delegates took part in the event from all over India.  JDS 2023 was organised in the campus of JECRC university. Siddharth Rajhans was the esteemed chief guest at this occasion. He is a visionary leader and renowned scholar with expertis in tech, policy, and management. He has dedicated his life to empowering individuals and transforming nations through knowledge and collaboration. He is a globally renowned UN diplomat and multilateral diplomacy expert seconded by the Indian Government. At the opening ceremony of the event he shared his life time learnt insights, highlighting his leadership on India’s G20, foreign policy and tech industry.

Students from different schools of Jaipur including Spring Dales, Tilak Public School, Malviya Convent School, SRN International School and MGD took part in the event. 

JECRC conducted the JDS on 16th and 17th December. On a very first day of the event, all participants gathered in the auditorium of university and the event started with lamp lighting ceremony, the Vice Chairperson Arpit Agarwal motivated the students to give their best and learn and participate in more of such opportunities.

Dheemat Agarwal, the head of Digital strategies of JECRC university showcased his gratitude to everyone present there. Said “It’s not us who gave you the task but it’s you who took it with respect and power”. And with this he powered up the energy of participants with his thoughts.

Engaging sessions were organized for the whole day where delegates took part with great enthusiasm. Also, people of both categories i.e. 1st time participants and people having experience of more than 25+ experience of MUN were also present. Social night was organized on the 1st day of the event as an entertainment and mood lighter. Delegates enjoyed and danced a lot there.

On the 2nd day of the event, a tough competition was observed among all 6 communities i.e. United Nations Commission on the status of Women (UNCSW) with the topic of Women’s economic empowerment: Discussing measures to promote financial independence and entrepreneurial opportunities, British Indian Round Table Conference with the topic of Freeze Date: November 12,1930 (London), Lok Sabha having the topic of discussing issues related to national security, defence policies and India’s border disputes, United Nations General Assembly Disarment were held.

Other issues were International Security(UNGA- DISEC) with the topic of discussing the implications of emerging technologies on International Security with an emphasis on AI and Autonomous Weapons, International Press(IP)doing the Photography, Caricture , Journalism and Cinematography, United Nations Development Programme (UNDP) having the topic of need of moral eduction and character building curriculum in schools, United Nations Security Council with the topic of Deliberation over Israel-Palestine conflict.

The event concluded on 18th December with the award ceremony where delegates were presented prizes for their commendable work.

Why Vrindavan and Braj Dham are becoming tourist’s first preference as compared to other hill stations to visit?

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Written by: Apeksha Agarwal

India, with its rich tapestry of diversity, cultural nuances, and spiritual heritage, offers a plethora of choices for those seeking unique experiences. The country’s vast landscapes and varied climate zones have often played a pivotal role in shaping people’s preferences for settlement or travel.

The dynamic nature of India’s cultural fabric is reflected in the choices people make regarding where they live or visit. Migrations driven by factors like climate, employment opportunities, and cultural affinity are not uncommon. In recent times, there has been a noticeable shift in interest, with more people turning away from the popular destinations of Manali and Kashmir to embrace the serenity and spirituality of Vrindavan and Bhraj Dham.

Vrindavan holds a special place in Hindu mythology, being associated with Lord Krishna and his spiritual exploits. Geographically situated in the north plateau region, Vrindavan boasts a pleasant climate, a stark contrast to the colder environs of Kashmir. The region’s plain topography and favorable weather conditions make it an attractive option for those seeking a change.

Moreover, Vrindavan and Bhraj Dham have gained prominence due to the vibrant celebrations of various cultural and religious events. The sheer magnitude of these festivities draws in crowds, adding to the allure of these spiritual hubs. In the realm of tourism, destinations like Kashmir and Manali have traditionally held sway, particularly among international travelers. However, the digital age, with its powerful influence of social media, is reshaping travel preferences.

Vrindavan has emerged as a social media darling, capturing the attention of the younger generation. The rich history of Indian culture, combined with the holy ambiance, has piqued the interest of those seeking more than just picturesque landscapes. While Kashmir and Manali remain popular tourist spots, the digital era has ushered in a new wave of fascination with the cultural heritage embedded in places like Vrindavan.

The reasons behind this shifting interest are diverse. Employment opportunities, cultural immersion, and climatic considerations are crucial factors influencing people’s decisions to migrate or shift their travel preferences. As India continues to evolve, so do the preferences of its people, creating a fascinating tapestry of diverse experiences and choices.

BCCI Retired Jersey No. 7 – THALA for a reason 

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Priyanshi Pareek

The captain cool played his last match for the country in the 2019 World Cup Semi-Finals against New Zealand.

The BCCI made the decision to ‘retire’ M S Dhoni’s No.7 jersey as a tribute to his remarkable contributions to Indian cricket. Since his last match in 2019, no other player has donned the No.7 shirt. Similarly, Sachin Tendulkar’s No.10 remains unworn by any other player post his retirement in 2013, except for pacer Shardul Thakur, who briefly wore it on his ODI debut against Sri Lanka in 2017, facing significant social media backlash.

Since then, no one has played with a jersey with number 10 written on the back.

According to BCCI vice-president Rajeev Shukla, the Board took the decision on Thursday.

“He is a legendary player. His contribution to Indian as well as world cricket is immense. To honour his contribution, the decision to retire number seven has been taken by the BCCI,” Shukla told PTI.

Retiring jerseys of legends is a common practice in various sports. For instance, the Chicago Bulls retired Michael Jordan’s iconic No.23 jersey after his basketball career. In cricket, Dinesh Karthik, whose international tenure overlapped with Dhoni’s, was among the first to advocate for retiring the No.7 jersey following Dhoni’s retirement in 2020. Both Karthik and Dhoni were part of the unfortunate World Cup semifinal against New Zealand.

“Hope the BCCI retires the No.7 jersey in white ball cricket,” Karthik had posted back then. And, now it happened.

These days a meme ‘Thala for a reason’ is getting viral.

Eg.

  • 18 (Virat Kohli) = 1-8 = -7 Thala for           a reason
  • 10 (Sachin) – 3 (Raina) = 7 Thala  for a reason

These memes were started by the fans of MS Dhoni for supporting their idol.

Slowly the support turned into trolls for the trollers and they started comparing it with everything.

After the retirement of jersey fans are again saying THALA FOR A REASON.

Exploring India’s Rich Heritage at NABARD’s ‘Padharo Mhare Shilpgram’ National Exhibition

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Jaipur is set to come alive with vibrant colors, traditional crafts, and the rich cultural tapestry of India as the National Bank for Agriculture and Rural Development (NABARD) presents the ‘Padharo Mhare Shilpgram’ national exhibition at Jawahar Kala Kendra from December 21 to 26. After a hiatus due to the pandemic, this event is a commendable initiative by NABARD, Rajasthan, to showcase and make available the diverse products of artisans and craftsmen from across the country.

Running from 11 am to 9 pm, this six-day extravaganza promises a unique shopping experience, offering visitors the chance to buy handicrafts, clothing, and other products directly from 150 artisans representing 19 states, including Rajasthan, Jammu-Kashmir, Assam, Gujarat, and Kerala.

Dr. Rajiv Siwach, Chief General Manager, NABARD, Rajasthan, highlights the exhibition’s significance in fostering direct connections between artisans and customers. This platform not only boosts artists’ incomes but also serves as a catalyst for the promotion of local arts.

The inauguration at Rangayan on December 21 at 11 am marks the beginning of a showcase that will include a diverse array of items such as Sitalpati products from Assam, Kathiawadi beadwork from Gujarat, handmade carpets from Haryana, handloom sarees from Karnataka, pure Tussar silk sarees from Maharashtra, and applique work products from Barmer.

A special attraction is the Geographical Indication (GI Tag) pavilion, featuring 19 products that have received the coveted GI tag from the Central Government. This pavilion not only allows visitors to purchase these unique products but also provides insights into their origin.

Adding a delightful touch of Rajasthan’s cultural vibrancy, the exhibition will feature folk art performances, including Chari dance, Bhavai, Ghoomar, Terhtali, Kalbeliya, and Gorband, accompanied by traditional folk songs. This event promises to be more than a shopping spree; it is a celebration of India’s rich heritage and a testament to the resilience and talent of its artisans.

Box Office Titans: Unveiling the Highest-Grossing Indian Films

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Priyanshi Pareek reported on the highest-grossing Indian Films..

The ranking of the highest-grossing Indian films comprises movies from diverse languages, relying on conservative global box office estimates from credible sources. Notably, there’s no official domestic box office tracking in India, often resulting in pressured increases in reported figures by Indian sites.

Indian films have enjoyed a global presence since the early 20th century, being screened in markets across over 90 countries by 2003. The first decade of the 21st century witnessed significant growth in box office collections due to rising ticket prices, a threefold increase in theatres, and greater film print releases.

The majority of the highest-grossing Indian films belong to the Hindi cinema, representing 43% of India’s net box office revenue in 2014, followed closely by Telugu and Tamil cinema at 36%. Other regional industries constituted 21% during that period. By 2019, Hindi films maintained their lead with 44% of box office revenue, while Telugu and Tamil industries each held 13%. Malayalam and Kannada contributed 5% each, with Bengali, Marathi, Odia, Punjabi, Gujarati, and Bhojpuri also playing significant roles.

Notably, as of 2020, the combined revenue from other language film industries surpassed that of the Hindi film industry. Furthermore, by 2021, Telugu cinema emerged as the largest film industry in India in terms of box office performance.

For detailed domestic gross figures, refer to the ‘List of highest-grossing films in India,’ while overseas gross figures are available in the ‘List of highest-grossing Indian films in overseas markets.’

Highest Grossing Films

  1. Dangal

World-wide Gross – ₹2,023.81 Crore

Release Year – 2016

Language – Hindi

  1. Bahubali 2- The Conclusion 

World-wide Gross – ₹1,810.59 Crore

Release Year – 2017

Language – Telugu, Tamil

  1. RRR

World-wide Gross – ₹1,387.26 Crore

Release Year – 2022

Language – Telugu 

  1. KGF- Chapter 2

World-wide Gross – ₹1,200- ₹1,250 Crore

Release Year – 2022

Language – Kannada

  1. Jawan

World-wide Gross – ₹1,148.32 Crore

Release Year – 2023

Language – Hindi

  1. Pathan

World-wide Gross – ₹1.050.30 Crore

Release Year – 2023

Language – Hindi

  1. Bajrangi Bhaijan

World-wide Gross – ₹969.06 Crore

Release Year – 2015

Language – Hindi

  1. Secret Superstar 

World-wide Gross – ₹905.7 Crore

Release Year – 2017

Language – Hindi

  1. Animal

World-wide Gross – ₹784.44 Crore

Release Year – 2023

Language – Hindi

  1. PK

World-wide Gross – ₹750.59- ₹769.89 Crore

Release Year – 2014

Language – Hindi

  1. 2.O

World-wide Gross – ₹699.89 Crore

Release Year – 2018

Language – Tamil

  1. Gaddar 2

World-wide Gross – ₹691.08 Crore

Release Year – 2023

Language – Hindi

  1. Leo

World-wide Gross – ₹620.50 Crore

Release Year – 2023

Language – Tamil

  1. Sultan

World-wide Gross – ₹614.49- ₹615.7 Crore

Release Year – 2016

Language – Hindi 

  1. Jailer

World-wide Gross – ₹607- ₹610 Crore

Release Year – 2023

Language – Tamil 

Bhajan Lal Sharma Sworn in as Rajasthan Chief Minister in presence of PM Modi at the Grand Ceremony in Jaipur

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In a momentous ceremony held in the historic city of Jaipur, Bhajan Lal Sharma took the oath of office as the Chief Minister of Rajasthan on Friday. The event, marked by grandeur and political significance, witnessed the esteemed presence of Prime Minister Narendra Modi, adding an aura of national importance to the proceedings.

Accompanying Sharma in the oath-taking ceremony were the newly appointed Deputy Chief Ministers, Diya Kumari and Prem Chand Bairwa. The trio, representing diverse regions and communities, symbolizes a strategic move towards inclusivity and regional balance in the Rajasthan government.

Rajasthan Governor Kalraj Mishra officiated the oath of office, administering it to the Chief Minister and his deputies. The presence of Prime Minister Modi, BJP National President JP Nadda, and Union Home Minister Amit Shah underscored the significance of the event, signifying the support and endorsement from the central leadership.

The ceremony was not only attended by key national figures but also witnessed the participation of chief ministers from various states, showcasing the broad spectrum of political alliances and camaraderie. Leaders such as Manik Saha from Tripura, Eknath Shinde from Maharashtra, Pramod Sawant from Goa, Bhupendra Patel from Gujarat, and Pushkar Singh Dhami from Uttarakhand were among those present, reflecting the national reach and resonance of the occasion.

Vasundhara Raje, the former Chief Minister of Rajasthan and a prominent BJP leader, graced the event with her presence, emphasizing the unity and continuity within the party.

Bhajan Lal Sharma, hailing from Rajasthan’s eastern district of Bharatpur, clinched victory in the Sanganer assembly seat with an impressive margin. Securing 1,45,162 votes, he outshone his Indian National Congress opponent, Pushpendra Bhardwaj, who garnered 97,081 votes. Ahead of the inauguration, Sharma exhibited his reverence for tradition and spirituality by visiting the Govind Devji temple in the state capital, offering prayers alongside his family and supporters.

Noteworthy in the ceremony was the swearing-in of Deputy Chief Ministers Diya Kumari and Prem Chand Bairwa. Bairwa, the incumbent BJP MLA from the Dudu constituency, and Diya Kumari, who triumphed in the Vidyadhar Nagar constituency in Jaipur, bring diverse perspectives and experiences to the leadership team.

The electoral success of the Bharatiya Janata Party (BJP) in Rajasthan was evident in the ceremony, with the party securing victories on 115 seats. In contrast, the Indian National Congress (INC) trailed with 69 seats, highlighting the BJP’s widespread popularity and electoral dominance in the state.

As Bhajan Lal Sharma assumes the responsibilities of the Chief Minister’s office, the political landscape in Rajasthan undergoes a transformation, promising a new era of governance and development under his leadership. The oath-taking ceremony not only signifies a change in leadership but also sets the tone for collaborative governance and progress in the state.

Vishnu Deo Sai: Charting the Journey of Chhattisgarh’s New Chief Minister

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In a twist of political events, Vishnu Deo Sai, a seasoned BJP leader, emerges as the chosen leader to take the reins as Chhattisgarh’s new chief minister. Here’s a detailed exploration of the prominent political figure:

Historic Tribal Chief Minister:

   – Vishnu Deo Sai makes history by becoming the first tribal chief minister of Chhattisgarh, a significant milestone following the exclusion of Ajit Jogi’s ST status.

Political Roots and Family Legacy:

   – His political journey commenced at the grassroots level as a village sarpanch, representing Bagia village panchayat.

   – Coming from a family with a rich political legacy, Sai’s grandfather, Budhnath Sai, served as a nominated MLA, while his ‘bade pitaji’ Narhari Prasad Sai contributed significantly to the Jan Sangh (BJP’s predecessor) and held various political positions.

Union Minister of State:

   – Ascending through the political ranks, Sai transitioned from a village sarpanch to become the Union Minister of State for Steel in the first Cabinet under PM Modi.

Electoral Entry and Challenges:

   – Encouraged by the late BJP leader Dilip Singh Judev, Vishnu Deo Sai entered electoral politics in 1990, securing his first MLA seat from Tapkara.

   – Despite facing electoral challenges, including a defeat in the 1998 assembly polls, Sai persevered, showcasing resilience and commitment.

Lok Sabha Stint:

   – Sai’s political prowess manifested in his four consecutive wins in Lok Sabha elections, representing the Raigarh constituency from 1999 to 2014.

Educational Background and Origins:

   – Born in Jashpur, Sai, before venturing into politics, pursued agriculture and received his education in a government school in Kunkuri.

   – Hailing from the Kanwar tribe, Sai’s roots trace back to Jashpur, and he returned to his village in 1988.

2023 Assembly Elections Victory:

   – In the recently concluded assembly elections in Chhattisgarh in 2023, Vishnu Deo Sai secured victory from the north Chhattisgarh’s Kunkuri constituency, defeating the sitting Congress MLA.

Vision for Chhattisgarh:

   – Expressing his dedication, Sai emphasized fulfilling promises made under ‘Modi Ki Guarantee,’ particularly focusing on providing 18 lakh ‘Awas’ (houses) to the people of Chhattisgarh.

Party’s Leadership Amid Criticism:

   – The BJP faced criticism for delays in announcing chief minister names for Chhattisgarh, Madhya Pradesh, and Rajasthan. The appointment of Vishnu Deo Sai adds a new chapter to Chhattisgarh’s political landscape.

Bhupesh Baghel’s Wishes:

   – Outgoing Chief Minister Bhupesh Baghel congratulated Vishnu Deo Sai, extending best wishes for the progress of Chhattisgarh under Sai’s leadership.

As Vishnu Deo Sai steps into the role of Chhattisgarh’s chief minister, his extensive political experience and deep-rooted connections within the state lay the foundation for the next chapter in the state’s governance.

Inside the Rajput Karni Sena: A Tale of Struggles and Influence

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Priyanshi Pareek reported on the full story of Karni Sena, continue reading to know about it in detail..

The Karni Sena, also known as Shri Rajput Karni Sena, is an organization rooted in Rajasthan, India. Established by Lokendra Singh Kalvi and led by figures like Mahipal Singh Makrana, Vishwabandhu Singh Rathore, and others, it draws its inspiration from Karni Mata, revered as an incarnation of Hinglaj by her followers.

History

The Karni Sena was established by Lokendra Singh Kalvi’s efforts in 2005, officially forming on September 23, 2006, in Jaipur’s Jhotwara area. Initially centered on caste-based reservations, the group expanded its scope to address Rajput representation in textbooks and politics. Internal disagreements led to factionalism, resulting in various splinter groups led by figures like Ajeet Singh Mamdoli and Sukhdev Singh Gogamedi. These factions clashed over reservations and political alliances.

Their pursuits extended beyond reservation demands, encompassing protests against alleged historical distortions in films like “Jodhaa Akbar” and involvement in political controversies, notably a 2012 issue involving a BJP legislator. The 2017 protests over the movie “Padmaavat” gained national attention, positioning Kalvi’s faction prominently within the Karni Sena.

Overall, the Karni Sena’s journey has been marked by internal divisions, leadership changes, and an expanding involvement in political and cultural matters, transcending their initial focus on reservations.

Founder

Lokendra Singh Kalvi, the founder of the Rajput Karni Sena, emerged as a key figure in mobilizing the Rajput community’s interests. He led the organization from its inception in 2006, championing causes such as caste-based reservations, representation in educational materials, and political participation for Rajputs. Kalvi’s leadership has often been associated with the Sena’s protests and movements, particularly gaining national attention during controversies surrounding historical depictions in movies like “Padmaavat.” His role has been instrumental in shaping the Sena’s agenda and actions over the years.

Activism 

Jodha Akbar 

The Shri Rajput Karni Sena (SRKS) protested against the 2008 film “Jodhaa Akbar,” primarily objecting to its portrayal of the union between Mughal emperor Akbar and a Hindu Rajput princess. Initially, concerns centered on minor historical inaccuracies, but analysis suggested the core issue was depicting a marriage between a Muslim emperor and a Hindu Rajput princess. 

Despite demanding an apology, their opposition led to resistance from Rajasthani cinemas, protests in various states, and objections to subsequent films allegedly portraying their community negatively.

They vandalised some cinemas that showed the film, the acts being described by commentator Chitra Padmanabhan as:

Thereupon the Sena wrote a new chapter in bravery by indulging in acts of vandalism in theatres screening the movie. Clearly, the ‘art’ lies in feeling aggrieved all the time.

In 2013, the Shri Rajput Karni Sena (SRKS) opposed the TV series “Jodhaa Akbar” due to a Hindu-Muslim marriage portrayal they deemed fictional and historically inaccurate. They threatened legal action and protests against Zee TV, citing distorted history. In 2014, SRKS protested against the series’ producer and allegedly staged an attack on Zee Media’s Jaipur offices, prompting calls for the SRKS leader’s arrest from journalists’ trade unions.

Padmavati

The Karni Sena opposed the film “Padmaavat,” alleging it distorted Rajput history, resulting in vandalism on film sets and accusations of extortion. They damaged mirrors at Chittor Fort while historians defended the film’s creative liberties based on a Sufi poet’s tale. Director Sanjay Leela Bhansali faced assault, triggering widespread condemnation from public figures and celebrities.

Initially, the Karni Sena threatened violence, demanding a pre-release screening and received backing from some politicians. However, historians criticized their claims as baseless and politically driven. Security measures increased due to threats against the film’s crew. Despite insisting on a screening for the royal family of Mewar, the Karni Sena engaged in violent protests, leading to arrests and allegations, including an incident involving a school bus. Eventually, they withdrew their protests, vowing support for the film’s release in Indian cinemas.

Other Type of Activism

In various incidents, the Shri Rajput Karni Sena (SRKS) involvement extended beyond their core agendas. They engaged in protests and clashes, notably at the University of Rajasthan in 2009, reflecting caste tensions between Rajput and Jat students. 

Additionally, the SRKS faced scrutiny in 2010 when Indian Police detained some activists allegedly planning to disrupt an event attended by Sonia Gandhi. Beyond their political activities, the SRKS also partook in social services. Moreover, in a disturbing event in 2021, their president, Suraj Pal Amu, seemingly justified the murder of a Muslim resident, Asif Khan, at a village gathering, sparking controversy and raising questions about the group’s stance on such matters.